Added some brief shock-effect action scenes to the opening voiceover, and they're not wholly gratuitous, I believe, each shot composed and lit like a Rembrandt, LOL. But a massive amount of thinking remains to be done and I keep putting it off and putting it off. Switching one's orientation from theater of the absurd to the naturalism serious film demands is a truly wrenching experience, I don't recommend it, it's like asking a tiger to change its stripes to polka dots. How is it possible to have access to the "creative process" of a doomed screenwriter one has never met? It's because life with an internet is weird.
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